Alive movie review: Watching Netflix’s zombie thriller is like reliving the horror of the lockdown

#Alive
Director – Cho Il-hyung
Cast – Yoo Ah-in, Park Shin-hye

For a movie that appears to exist solely as a result of somebody thought slapping a zombie mod onto Home Alone can be a good suggestion, #Alive is a reasonably ingenious apocalyptic thriller that is given added heft as a result of of the raging pandemic.

Joon-woo (Yoo Ah-in) wakes up one morning to search out that his dad and mom have already gone to work, forsaking directions for him — a sloppy teen gamer — on the best way to take care of himself whereas they’re out. Considering the nature of some of the directions — “buy groceries” — Joon-woo appears like the kind of man who’d barely have the ability to final a day with out his mother making a meal for him. But little does he know that in a matter of minutes, his life is going to be solely about studying to take care of himself.

Watch the #Alive trailer right here

He activates the TV and is met with some regarding information. The folks of Seoul appear to have been consumed by rage. Their eyes are bleeding, and so they’re attacking folks. Some of them, the newsreader whispers, seem to have developed cannibalistic urges. As mass hysteria erupts outdoors his residence, Joon-woo’s mind connects the dots: zombies.

What unfolds is a movie that’ll make you relive horror of the nightmarish coronavirus lockdown. As Joon-woo fortifies his residence, satisfied that staying at residence is the most secure wager, the virus consumes the populace at a daunting charge outdoors. Soon, the web providers shut down and the meals runs out. Joon-woo leaves no stone unturned in his efforts to outlive — he flies a drone round his residence complicated to survey the space, sends out SOS messages on Twitter, and even tries rationing — however simply when he’s about to surrender, assist involves him.

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Yoo Ah-in as Joon-woo, in a nonetheless from #Alive, on Netflix.

It’s a neighbour, Yoo-bin (Park Shin-hye), who’s been isolating in her own residence throughout the yard, and like Jimmy Stewart in Rear Window, has been spying on Joon-woo for days, it appears. There’s an prompt connection.

Do you do not forget that candy story of how a pair of New Yorkers fashioned a digital connection whereas quarantining at their properties at the peak of the pandemic? The man despatched the woman his quantity by way of drone, and earlier than they knew it, they had been having a romantic dinner on their respective rooftops, related by FaceTime. That’s kind of what occurs between Joon-woo and Yoo-bin in #Alive. As it seems, the human meat that the zombies feast on isn’t the solely tender factor in the movie.

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But whereas he patiently developes the love story, director Cho Il-hyung doesn’t skimp on the zombie motion. The prosthetics are constantly well-done, the set-pieces are nicely executed, and regardless that George A Romero would disapprove of the zombies’ lightning reflexes, Max Brooks can be proud of the protagonists’ ingenuity.

#Alive, in its third act, even has time for moments of surprising gravitas. While you had been absorbed by Joon-woo and Yoo-bin’s drama, the movie suggests, equally transferring tales had been unfolding inside different flats. It’s like that transient second of realisation in Cloverfield — a movie shot in the discovered footage format — the place the protagonist’s digicam captures one other individual documenting the monster assault simply like him. Director Matt Reeves questioned if a sequel may very well be constructed from that individual’s perspective. The same alternative is out there to Il-hyung right here. The pandemic isn’t going wherever, nor is the viewers’s urge for food for stable zombie cinema.

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Follow @htshowbiz for extra
The writer tweets @RohanNaahar


Reference: HT

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